We’ll finish off the month having a creative analysis of film effects, with special guest Stu Maschwitz (Director, Publish-Production Supervisor & Chief Creative Officer at Maxon), with practical tips and just how the special moment Bullet Film tools were particularly made to create accurate filmic treatments.
We’ll be supplying footage, project files, LUTS, presets, node recipes and PDF reference documents, in addition to footage to check out. Techniques proven within the session may be used in multiple NLEs and host applications including Resolve, Premiere Pro, Consequences, Enthusiastic Media Composer, and Final Cut Pro.
Links pointed out within the web seminar:
Motion picture Color: https://cinematiccolor.org/
What’s new in ACES 1.2: https://world wide web.youtube.com/watch?v=jKCHqQa7yjY&t=2167s
06:00 Color Management
12:00 Scene Referred Workflow
15:00 Walk-through Scene Referred Workflow
23:00 ACES and Scene Referred Workflow
28:00 AP0 Lin and AP1 Log
29:00 ACES Pipeline
34:00 Simulating ACES IDT and ODT in DaVinci Node
40:00 Question: Why logarithmic?
44:10 Solving Blue Highlight Clipping when utilizing ACES setup in Node tree
46:00 Establishing ACES in DaVinci Project Settings
56:00 Solving Blue Highlight Clipping using OFX and LMT
01:01:00 Tip: Motion picture Color